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‘An enduring and undervalued treasure’ - Classic Rock |
'There are a million bands who kick ass, but just a few, like Marillion,
who really move people' - Kerrang |
'The best-kept secret in the music industry' - Sound on Sound |
'Highly dramatic, emotional, dynamic stuff' - The Guardian |
'Superb' - The Times |
'Some tracks chime and soar like Coldplay. Others are just a post-rock whimper away from Radiohead... Marillion deserve a fair hearing" - Uncut |
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Marillion are one of the UK music scene’s best kept secrets; purveyors of soulful, powerful, and often deeply-moving music, with a long-standing reputation for blistering live shows which have earned them an impressive and faithful global fanbase.
Steve "h" Hogarth fronts the band (original lead-singer, "Fish", having departed in 1988).
A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new heart and energy to the band when arriving in 1989 and becoming lead-vocal/lyricist.
Predictions of doom were swiftly dispelled, as across a further THIRTEEN albums, Hogarth – along with existing members Steve Rothery (guitar), Mark Kelly (keyboards), Pete Trewavas (bass), and Ian Mosley (drums) – reinvigorated and constantly redefined Marillion’s sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of the musical "Fashion Police", or the bandwagoneering of radio playlists. The line-up remains unchanged to this day. |
After the release of 1999’s ‘marillion.com’ the band banished the spectre of record company pressure once and for all by launching their own record label (the aptly-named Intact imprint) and freeing themselves up to produce some of the finest music of their career.
Thanks to their much lauded (and much copied) pioneering Internet-based rock n'roll business model (Elton John recently poached their web-site programmer!) Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillion’s global fan-base is unique in its affection and dedication.
As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path. |
In 2001 ‘Anoraknophobia’ saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 masterpiece ‘Marbles,’ but this time the money was channelled into a campaign fund to promote its launch.
When singles ‘Don’t Hurt Yourself’ and ‘You’re Gone‘ breached the UK top 20 – the latter making it all the way to number 7 – jaws dropped right across the music world.
Not bad going for a band without major label backing.
But it was merely the latest twist in a 23-year-long history of a group who have held on to the conviction that what they’re doing MEANS something more than entertainment or selling records. |
In the face of ignorance and apathy, Marillion continue to defy preconceptions and labelling. The band has evolved into a vibrant musical force – to those who already love Marillion, they’re something special; to everyone else they’re a love affair waiting to happen. "Classic Rock" magazine have labelled them "A National Treasure".
Their 2007 album ‘Somewhere Else’ reached number 24 in the UK album chart with the single 'Thankyou Whoever You Are' hitting the UK singles chart at number 15.
2008 saw the release of the critically-acclaimed "Happiness Is The Road" a 2CD set of Marillion's broadest musical influences to date and Hogarth arguably, at his most philosophical. |
2009 brought a new studio acoustic album ‘Less Is More’.
Released all over Europe in cooperation with Edel music and the band’s own label "Intact". What Marillion have developed during the recording of this studio album is a real pop avant-garde experiment: to deconstruct and reconstruct the songs, starting only from the melodies and redesigning chord sequences, arrangements and acoustic instrumentation to create a rich-yet-minimalist alternative form of their music. |
2010 sees the band back in the studio writing album seventeen with no sign of stalling creatively. Marillion will leave the studio this year for a series of one-off festivals around Europe, this time selecting and performing the rock songs from their now massive and diverse catalogue. |
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